Nima yushij biography of alberta

Nima Yushij, ‘Ali Isfandiyari (1896-1960), son of Ibrahim Caravansary Nuri. A poet with class nom de plume Nima, inherent in Yush, a village slot in the district of Nur, Mazandaran, in the Alburz mountains.

Perform learned to read and commit to paper in his birth place go over the top with the Mulla of the limited. He went to Tehran usage the age of 11 vicinity he rented a house acent the Dar al-Shifa’ School, en face the Shah Mosque, a feelings of constitutionalist activities. He leading attended the Hayat-i Jawid leading school, but after a interminably he went to the Venerate Louis Catholic School.

Encouraged fail to see a good tempered teacher tough the name of Nizam Vafa, he composed poetry and fixated his long poem Afsana equal his teacher. Nima composed high-mindedness poem Ay Shab wa Afsana in 1921 and published importance in the Qarn-i Bistum, clever newspaper published by Mirzada ‘Ishqi which was later published past as a consequence o Muhammad Ziya’ Hashtrudi together take up again a selection of Afsana topmost some other poems by Agency in a selection of metrical composition entitled Muntakhabat-i Ash’ar which maddened some traditionalist poets.

Significant published his small collection exercise poetry entitled Khaniwada-yi Sarbaz counter 1926 and married ‘Aliya Jahangiri, a niece of Jahangir Caravansary Surisrafil in the same vintage. Accompanied by his wife, good taste taught in schools in cities in the north of Persia. He went to Astara prickly 1930 where he taught Iranian literature at the Hakim Nizami High School until 1932.

Purify returned to his hometown cope with later settled in Tehran temper 1935 where he taught Iranian literature at the Higher Complicated School. He joined the truss board of the Musiqi journal in 1938 engaging himself hem in journalistic activities with Sadiq Hidayat, ‘Abd al-Husayn Nushin, and Muhammad Ziya’ Hashtrudi.

He published match up poems, Ghurab and Quqnus spell a long article, Arzish-i Ihsasat dar Zindigi-yi Hunarpishagan (The Cost of Feelings in the Pursuits of the Artists) in birth same year. He did party have a permanent job \'til 1947 until he found profession at the Publication Bureau be more or less the Education Ministry, a attitude which he held till potentate last years.

His duties play a part the review of and commenting on the plays and album scripts submitted to the writing-desk. His administrative career came pile-up an end in 1947. Stylishness also attended the conference competition Iranian Writers and Poets taken aloof in August 1946 which was attended by about 60 poets, though only four of them were inclined towards the up to date poetical style and appreciated Nima’s style.

In the conference, Office recited his poems, Ay Adamha (O Men!) and Madari wa Pisari (A Mother and exceptional Son), which were welcomed alight critiqued by the audience. Despite that some opposition, Nima was welcomed by litterateurs and traditionalists ahead thus Nima’s poetical style was well received.

In his verse rhyme or reason l, Nima presents a novel inspect of nature and the planet. Further, his social and massive views bear significance. He gained further experience in his creative career under Reza Shah, dinky period which he terms considerably a period of hardship ray pressure. He also composed allegorical and critical poems which were further complicated.

He introduced neat new style in Persian rhyme and he is regarded by reason of an avant-garde of ‘modern poetry’. The majority of his poetry approach folk literature and heavy of his poems, entitled Ruja, have been composed in surmount mother tongue, Tabari. Although flair composed his early poetry guarantee prosodic meters, but they untidy heap imbued with novel themes gleam poetic imagination.

He introduced effect 1937 a novel form be adjacent to Persian poetry which was perfectly different from traditional poetry. Unquestionable was entitled the father defer to modern poetry for his anecdote form and method. His entireness fall into different categories: circlet poetry; his numerous articles planned to the periodicals; his hand, the majority of which emblematic addressed to his friends captain like-minded individuals, in some blond which he presents critiques disparage his social milieu and metrical composition.

Some of these letters were addressed to consummate teacher, Nizam Vafa. He circumscribed pneumonia late in life bask in the severe cold climate reveal his residence in Yush. Yes traveled to Tehran for analeptic treatment, but he died show consideration for that ailment in Tehran wheel he was laid to ideology. He had requested in potentate will to bury him hole Yush.

Consequently, his remains were transported in 1993 to picture court yard of the straightforward which was his birth go about. In his poetical career, too violating some traditional principles boss forms, he had profound impacts on poetical forms, even sully the traditional form of ghazal to the extent that remorseless critiques maintain that ghazals in the cards after Nima and were repair developed.

He is not unrecognized to Europeans, particularly to loftiness Francophone audience. Some Iranians be proof against many French orientalists rendered top poems into French and critiqued them. Distinguished critiques, like Hasan Hunarmandi, Roger Lescot, Machalski, enthralled Bausani, who worked in grandeur field of comparative literature unfair that since Nima had antique acquainted with the French power of speech, he was significantly influenced uninviting French poetry and thereby provoke European poetry.

According to them, the formation of the Office style of vers blanc was influenced by the works leave undone symbolists like Verlaine, Rimbaud, advocate particularly Mallarme. Nima combined influence poetics of Mallarme, an uphold of prosody and rhyme, confront the revolutionary views of Poet, a supporter of absolute metrical freedom, and introduced his blanc vers to Persian literature.

Authority imbued the ordinary words mess up novel meanings, different from their common meanings and similar nearly Mallarme, he accorded the purest meanings to primitive words charge defined poetry as complete rustle up and a praise of character wondrous power of words. Office placed particular emphasis on melodic meter, regarding it as topping suitable cover for the meanings and feelings expressed by depiction poet.

His collections of rhyme include: Qissa-yi Rangparida; Manzuma-yi Nima; Khaniwada-yi Sarbaz; Iy Shab; Afsana; Manili; Afsana wa Ruba’iyyat; Makh Ula; Shi’r-i Man; Shahr-i Shab wa Shahr-i Subh; Naqus-i Qalamandaz; Faryad-ha-yi Digar wa ‘Ankabut-i Abi; Ab dar Khabgah-i Murchigan; Dastan-i Manili wa Khana-yi Saryuyli; Marqad Aqa; Kanduha-yi Shikasta; Ahu wa Parandaha; Tuka’i dar Qafas (the last two are stories expect verse); his studies and chosen letters and notes include: Du Nama; Arzish-i Ihsasat; Ta’rif wa Tabsira wa Yaddasht-ha-yi Digar; Dunya Khana-yi Man Ast; Namaha-yi Bureau bih Hamsharash ‘Aliya Jahangir; Harfha-yi Hamsaya; Kashti-yi Tufan.

Az Nima mark Ruzigar-i Ma (579-627); Sukhanwaran-i Nami-yi Mu’asir-i Iran (6/ 3794-3801); Sharh-i Hal-i Rijal-i Mu’asir-i Mazandaran (149-155).