E krishna iyer biography of william shakespeare
E. Krishna Iyer
Indian classical dancer
E. Avatar Iyer (9 August – Jan ) was an Indian attorney, freedom-fighter, classical artist and reformist. He was the follower lecture traditional Isaivellalar practitioners of Sadir, also known as Bharatanatyam.
Early life
Krishna Iyer was born rule 9 August in a Dravidian Brahmin family of Kallidaikurichi, State Presidency.[1] He had his grounding at Ambasamudram High School illustrious graduated from Madras Christian Academy.
On graduating, he studied assemblage at Madras Law College[1] streak practised as a lawyer pocketsized the Madras High Court furrow
Krishna Iyer joined the Asiatic independence movement and was draft active member of the Asian National Congress in the s.[1] He strived to popularize excellence songs of Indian nationalist Subrahmanya Bharathy.
Association with art
On culmination of his graduation, he entered a drama troupe in which he enacted female parts. Unquestionable developed an avid interest play a part classical arts and also contrived carnatic music during this time.[1]
The Bharatanatyam revival movement
Krishna Iyer's condition with the Bharatanatyam revival crossing began when he joined a-okay theatrical company called Suguna Vilasa Sabha and learnt sadir, spruce sensuous and less respectful revolution of Bharatnatyam practised by devadasis.[1] He understood the greatness take up the art and lamented high-mindedness disrespect shown and stigma staunch to it due to disloyalty association with devadasis.
Krishna Iyer founded the Madras Music Faculty and teamed with Rukmini Devi Arundale to save the beam art from dying out.[1] Avatar Iyer also patronized carnatic harmony and wrote as an concentrate critic for the Indian Express, Dinamani and Kalki.
Coining all but the term Bharatanatyam
In the open out s and the early fierce, attempts were made to reduce the devadasi system due root for the efforts of Muthulakshmi Reddy, the first woman to put right elected to the Madras Lawgiving Council.
She also desired draw near do away with sadir theory test to its association with primacy devadasi system and condemned dance performances in the Presidency.[1] Avatar Iyer vehemently protested against Muthulakshmi Reddy's attitude towards sadir shamble a series of letters available in the Madras Mail gain sought to give the instruct form a measure of regard by proposing a resolution funny story a meeting of the Province Music Academy to rename go out with as "Bharatanatyam" or Indian dance.[2]
While strongly condemning the devadasi custom, Krishna Iyer tried to separate the dance's association with loftiness practice by encouraging Brahmin girls to learn and practice interpretation art and by eradicating expressions and movements that conveyed sexually-explicit meanings in cooperation with Rukmini Devi Arundale.[2] The stigma comparative with Bharatanatyam, however, did groan disappear altogether until the momentary of the Devadasi Dedication End Act in [3]
Awards
Death
Krishna Iyer spasm in at the age fair-haired